Mouthtype

Appearance

Pill styles, sizes, fonts and the accessibility settings that change them.

Appearance controls how the recording pill and delivery cards look. Open it from the sidebar in the Mouthtype window. A live preview uses the app's real pill drawing over a Light or Dark swatch.

Pill style

StyleNotes
ClassicThe default.
Hi-FiA readout-style pill with its own pixel-art card.
GlassUses the system glass material.
MatrixA pixel-art look with a padlock sprite.
MinimalThe quietest option.

Delivery cards are drawn for the style you pick and scale with the pill size.

Pill size

A size change applies the next time the pill shows up.

SizeWhat it does
AutomaticPicks Large on screens at least 2000 points wide and Standard otherwise.
StandardThe normal size.
LargeDraws everything at twice the Standard size.

Fonts and colors

Classic, Glass, Matrix and Minimal get a Text font choice. Override individual fonts is off by default. Turn it on to set Heading, Body and Readout separately, each with Use base font as its default. Reset fonts to defaults clears them.

ControlApplies toChoices
Text fontClassic, Glass, Matrix, MinimalYour font choice.
Override individual fontsClassic, Glass, Matrix, MinimalHeading, Body and Readout separately. Off by default.
Readout colourHi-FiAmber, Cool white or Red.

Hi-Fi's bitmap readouts keep their own artwork.

Accessibility settings

Note

Mouthtype follows two macOS accessibility settings, Reduce Transparency and Reduce Motion.

  • Under Reduce Transparency, Glass uses a solid background and the preview says so.
  • Under Reduce Motion, the pill and cards use shorter fades instead of springs and slides, and the menu bar icon holds its middle frame.

Known quirks

  • Glass picks clear or smoked from the wallpaper behind it, so a dark window over a bright wallpaper can lower contrast. Try switching styles.
  • The Matrix padlock is low-detail at small sizes. Try Large.
  • The Hi-Fi card falls back to the Classic card for text its pixel font can't draw.

See the known limits.

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